US/UK Weekend Box Office: Clayface Leads — 23–25 October 2026

Clayface shaped the weekend into a North American win, but the chart’s most unusual movement came from You Can See Everything, which expanded sharply and increased its takings in week two. In Great Britain, Forgotten Island stayed out front as the available UK-only chart settled into a holdover-heavy frame.

Art-deco cinema marquee reading Weekend Box Office, 23–25 October 2026, above a red carpet and rising chart graphics.
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Report Details

  • US/Canada: 23–25 October 2026; actual weekend figures; US dollars (USD).
  • Great Britain: 23–25 October 2026; actual weekend figures; US dollars (USD).
  • Scope: the verified top five in US/Canada and Great Britain.
  • Currency: each chart retains its displayed currency; no conversion has been made.

US/Canada

Verified top five — actual figures

US/Canada top five — actual figures
No. Film Weekend gross Domestic total Week
#1 Clayface $24,002,731 $24,002,731 1
#2 You Can See Everything $19,500,000 $45,145,476 2
#3 Wildwood $12,273,561 $12,273,561 1
#4 Street Fighter $8,587,187 $46,925,821 2
#5 Wicker $5,745,945 $5,745,945 1

Great Britain

Verified top five — actual figures

The matching BFI report was not yet available at the Tuesday retry. The approved Great Britain chart is therefore used in its displayed US dollars; its selected rows are individually unmarked as estimates.

Great Britain top five — actual figures
No. Film Weekend gross Running total Status
#1 Forgotten Island $1,254,357 $3,831,746 Reported
#2 Other Mommy $578,116 $6,234,685 Reported
#3 Sense and Sensibility $258,207 $8,407,159 Reported
#4 The Odyssey $235,630 $118,329,496 Reported
#5 Whalefall $179,373 $1,328,117 Reported

The Story Behind the Numbers

Clayface

Original editorial illustration of an anonymous performer facing a fractured dressing-room mirror with abstract clay-like reflections.
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  • US/Canada: number one with a $24,002,731 actual opening.
  • Director: James Watkins.
  • Starring: Tom Rhys Harries, Naomi Ackie and Max Minghella.

Clayface took first place without flattening the field around it. Its $24 million debut gave the body-horror thriller a clear win, while the modest gap over second place leaves its next-week hold as the more revealing test of audience momentum.


You Can See Everything

Original editorial illustration of an anonymous documentary interview subject framed by cameras, glass reflections and a rising cinema chart.
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  • US/Canada: number two with $19,500,000, up 25% from opening weekend.
  • Domestic total: $45,145,476 after two weekends.
  • Directors: Nathan Fielder and Lance Oppenheim.

The documentary’s expansion from 855 to 2,655 cinemas turned an exceptional limited launch into a broader hit. Growing by 25% while adding nearly $19.5 million is the weekend’s clearest sign that conversation is converting into ticket sales.

Holdovers, New Releases and the Wider Field

Wildwood opened third in US/Canada with $12.3 million, ahead of Street Fighter after the game adaptation fell 72.1% in its second weekend. Wicker rounded out the domestic top five with a $5.7 million launch, giving new releases three of the five leading places.

Great Britain told a quieter holdover story. Forgotten Island retained first place, Other Mommy stayed second in week three, and Sense and Sensibility completed the top three. The Odyssey’s 15th weekend remained strong enough for fourth, just ahead of Whalefall.

What to Watch Next

Clayface now needs a controlled second-week fall to turn a solid opening into durable business. You Can See Everything has the strongest expansion story, while Wildwood’s family audience and Forgotten Island’s Great Britain hold could keep both titles visible through the next frame.

Will Clayface hold the crown next weekend, or can You Can See Everything complete its climb to number one?

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