Wentworth: Halfway Home First Look: Boomer Walks Out of Prison
BINGE has released the first look at Wentworth: Halfway Home, with Katrina Milosevic back as a freshly paroled Boomer. It premieres in Australia in late 2026; no UK date yet.
Brent Spiner on Data’s Gift to Autistic Fans — plus Star Wars and More
Brent Spiner won’t take credit for Data helping neurodivergent fans, Lord and Miller say “never say never” to Star Wars, Shudder sets its horror line-up to Christmas and James Gunn says DCU stories don’t have to build towards anything.
Tonight: Bodies Bodies Bodies on BBC One — plus Andor and a Haunted Gem
Bodies Bodies Bodies is on BBC One at 11:10pm, The Night House is the hidden gem on Disney+ and Channel 4, and Andor’s “Harvest” is our Star Wars pick.
Zi Trailer: Kogonada and Haley Lu Richardson Reunite in Hong Kong
Grasshopper Film has released the official trailer for zi, Kogonada’s dreamlike Hong Kong mystery starring Michelle Mao, Haley Lu Richardson and Jin Ha. It opens in US cinemas on 6 November; no UK date yet.
Human (2026) Super Review: A Gross-Out Midnight Movie With a Brilliant Lead
Jackie Kelly is outstanding in Matt Stuertz’s shape-shifting horror, which moves from tense screen-life thriller to blood-soaked mayhem, though its final act loses some grip.
All of Us Are Dead Brings Back Cheong-san — plus Clayface and More
All of Us Are Dead season 2 confirms Cheong-san is alive, Jenna Ortega plans a break from TV after Wednesday, Clayface is confirmed at No 1 with the UK its top overseas market, and I Play Rocky premieres at AFI Fest.
Terrestrial (2026) Super Review: Jermaine Fowler’s Hollywood Dream Turns Into a Nightmare
Jermaine Fowler is magnetic as a sci-fi writer whose sudden success hides a secret in Steve Pink’s twisty, darkly comic genre puzzle, which entertains even as it overcomplicates.
Seniors (2026) Super Review: John Rhys-Davies and Paris Brosnan Make an Unlikely Pair
John Rhys-Davies and Paris Brosnan form a warm, funny odd-couple friendship in Lance Clark’s heartfelt small-town comedy-drama, though its low budget shows at the edges.
Love Language (2026) Super Review: Chloë Grace Moretz Finds the Words, If Not the Spark
Chloë Grace Moretz leads Joey Power’s wedding-vow romcom with poise and bite, but a lopsided love triangle leaves its big romantic moment short of fire.
5 Centimeters per Second (2025) Super Review: A Beautiful Live-Action Echo of Shinkai’s Classic
Yoshiyuki Okuyama’s live-action remake of Makoto Shinkai’s anime is ravishing to look at and beautifully acted by its young cast, but its expanded adult story dilutes the original’s ache.
A Talent for Murder (2026) Super Review: Helen Mirren’s Venomous Highsmith Deserves a Sharper Thriller
Helen Mirren is a caustic joy as Patricia Highsmith in Anton Corbijn’s twisty chamber thriller, but the story within a story never draws quite enough blood.
X-Files Creator Won’t Read Coogler’s Script — plus Star Trek and More
Chris Carter won’t read Ryan Coogler’s X-Files script, Starfleet Academy’s Karim Diané has a message for critics, Shudder lands Hell House LLC, Vincent D’Onofrio corrects a Daredevil misquote and Creature Commandos gets a timetable.
Tonight: Misery on BBC Two — plus Doctor Who and a Haunted House Gem
Misery is on BBC Two at 10:45pm, His House is the hidden gem on BBC iPlayer and Netflix, and Doctor Who’s ghost story “Hide” is on iPlayer.
The Only Living Pickpocket in New York (2026) Super Review: John Turturro Steals the Show
John Turturro gives one of the best performances of his career as an analogue thief in a digital city, in Noah Segan’s charming, bittersweet New York crime tale.
Audition Author Ryū Murakami Dies at 74 — plus Clayface and More
Audition author Ryū Murakami dies at 74, Andy Weir’s Exoplanet gets a trailer, Dollkeeper casts The Boys’ Cameron Crovetti, Clayface heads for No. 1 and Netflix strands Michelle Dockery on a deadly island.
Making Marie Antoinette (2026) Super Review: Eleanor Coppola’s Loving Last Look Behind the Curtain
Eleanor Coppola’s behind-the-scenes documentary, completed by Sofia Coppola, is an intimate, gorgeous portrait of a film shoot and of a mother watching her daughter take charge.