Halloween weekend turned into a photo finish on both sides of the Atlantic. In the US and Canada, You Can See Everything climbed to number one in its third weekend, edging Clayface by less than half a million dollars. In the UK and Ireland it was closer still: Wicker opened at number one with £1,757,184, just £10,141 ahead of Primetime, as two new arrivals pushed last weekend’s leader, Ghosts: The Possession of Button House, down to third.
Report Details
- US/Canada: 30 October–1 November 2026; actual weekend figures; US dollars (USD).
- UK and Ireland: 30 October–1 November 2026; weekend figures with running totals; pounds sterling (GBP).
- Scope: the top five in US/Canada and the UK and Ireland.
- Currency: each chart keeps its own currency; no conversion has been made.
US and Canada
Verified top five — actual figures
| No. | Film | Weekend gross | Domestic total | Week |
|---|---|---|---|---|
| #1 | You Can See Everything | $11,445,629 | $64,727,541 | 3 |
| #2 | Clayface | $11,002,116 | $44,666,368 | 2 |
| #3 | Wildwood | $8,949,324 | $27,356,779 | 2 |
| #4 | Wicker | $4,364,009 | $13,500,103 | 2 |
| #5 | Street Fighter | $3,659,618 | $53,471,739 | 3 |
UK and Ireland
Verified top five — row status shown
Weekend grosses for 30 October–1 November in pounds sterling, with each film’s running total in the UK and Ireland.
| No. | Film | Weekend gross | Running total | Status |
|---|---|---|---|---|
| #1 | Wicker | £1,757,184 | £1,757,184 | Week 1 (new) |
| #2 | Primetime | £1,747,043 | £1,747,043 | Week 1 (new) |
| #3 | Ghosts: The Possession of Button House | £1,524,676 | £6,335,031 | Week 2 |
| #4 | Clayface | £1,230,586 | £4,685,884 | Week 2 |
| #5 | Wildwood | £646,944 | £2,813,350 | Week 2 |
Source: Film Distributors’ Association.
The Story Behind the Numbers
You Can See Everything
- US/Canada: number one with $11,445,629, down 38.9% on last weekend.
- Domestic total: $64,727,541 after three weekends.
- Cinemas: 3,243, up 588.
- Directors: Nathan Fielder and Lance Oppenheim.
- UK and Ireland: in cinemas from 20 November 2026.
The documentary finally reached the top in its third weekend, and it did it by holding on better than the film that beat it last time. A 38.9% drop is modest for a picture that is still adding cinemas, and it left You Can See Everything about $443,000 ahead of Clayface. With nearly $65 million banked, it is now one of the most talked-about documentaries in years. Our You Can See Everything Super Review explains why it gets under the skin.
Wicker
- UK and Ireland: number one on its opening weekend with £1,757,184.
- US/Canada: number four with $4,364,009, down 24.1% as it widened to 2,374 cinemas.
- Directors: Alex Huston Fischer and Eleanor Wilson.
- Starring: Olivia Colman, Alexander Skarsgård, Peter Dinklage and Elizabeth Debicki.
Wicker’s UK and Ireland win could hardly have been tighter. Olivia Colman’s folk-tale romance finished just £10,141 ahead of Primetime, a gap small enough that a single busy Sunday in a few multiplexes could have flipped it. In North America the film held well too, losing less than a quarter of its audience while it expanded by more than 900 cinemas. Read our Wicker Super Review for the spoiler-free verdict.
Holdovers, New Releases and the Wider Field
Clayface slipped to second in the US and Canada with $11,002,116, a 54.2% fall after its opening weekend, taking its domestic total to $44,666,368. Wildwood held third with $8,949,324, dropping just 27.2%, while Street Fighter fell 57.4% to fifth on $3,659,618. Just outside the top five, the BTS World Tour ‘Arirang’ concert screening took $2.8 million, and The Only Living Pickpocket in New York leapt to ninth as it widened to more than 1,100 cinemas. Everest: The Other Side opened with $1,105,277 from 515 sites.
In the UK and Ireland, Primetime made a strong debut in second place with £1,747,043, giving Robert Pattinson’s reality-TV thriller a near miss rather than a defeat. Ghosts: The Possession of Button House dropped to third with £1,524,676 but has now taken £6,335,031, helped by the half-term week. Clayface was fourth with £1,230,586 and Wildwood fifth with £646,944. Our Primetime Super Review covers why Pattinson’s performance is worth the trip.
What to Watch Next
If you only catch one of the new UK arrivals, the choice is a pleasant dilemma: Wicker for a bawdy, tender fairy tale, or Primetime for a darker, sharper night out. UK and Ireland audiences curious about this weekend’s US number one will have to wait until 20 November, when You Can See Everything opens here. With so little separating the top two in both charts, next weekend could easily reshuffle the order again.
Wicker or Primetime: which one deserved the UK and Ireland number one? Tell us below.